Getting the 140 lb manifold indoors and up the 60 degree stairs was interesting. I had a block and tackle set up for the lift but it had eaten up all the distance between the triple pulley blocks before the tension was taken up. So I grabbed the loop of rope which I had passed through the top driver cut-outs and lifted it up the stairs bodily with one hand. My wife was down below pushing for all she was worth despite her 5'1" and seven stone stature. We are both past our sixtieth birthday but remain fit thanks to constant physical activity and a healthy diet.
Once upstairs I walked the manifold into the IB enclosure and pushed it straight into the empty space between the wall studs. Then I spent some time lifting and lowering it on various wooden blocks using a batten lever as I searched for the optimum height. In the end the sloping wall would not allow a full exposure of the manifold mouth and I lost 4" in all over the full potential height. A couple of hours later the manifold had been screwed to the wall studs and I had closed off the various empty spaces above and below the manifold with large bits of solid timber. Still some work to do tidying up the wall on both sides.
Here's comparison between the old (right) and new AEIB15 drivers.
Each vertical set of four drivers was wired in series-parallel using lighting flex to see if it had been worth all the effort. I checked the DC resistance of each set with a DMM to ensure I had wired them correctly. Then used a 9 Volt battery to check all the cones jumped inwards on a positive signal. Then connected each set to separate channel of the EP2500 using more lighting flex. Finally, I could play Franck's organ works.
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